Venus and Adonis

By William Shakespeare, Adapted and Performed by Misha Bouvion; Directed by Daniella Caggiano
Produced by New Circle Artists
Part of the 2015 New York International Fringe Festival

Off Off Broadway, Solo Show
Runs through 8.29.15
VENUE #14: The White Box at 440 Studios, 440 Lafayette Street, 3rd Floor


by Regina Robbins on 8.21.15

Venus and AdonisMisha Bouvion in Venus and Adonis. Photo by Jody Christopherson.


BOTTOM LINE: The goddess of love hunts a hunky hunter, with words provided by the Bard himself.

William Shakespeare wrote a lot of plays on a wide range of topics: Roman history, British monarchy, myths, and legends. However, he also wrote poems—not only his famous sonnets, but also narrative romances. Amazingly, Will seemed to think his 1593 work Venus and Adonis was much more significant than those silly shows he put on. But alas, not many of his contemporaries agreed.

However, actress Misha Bouvion has brought Venus and Adonis to the stage, adapting and performing it as a monologue, with the assistance of director Daniella Caggiano. Bouvion plays the goddess of love herself, but her portrayal eschews the other-worldliness and grandeur you might expect of an immortal; instead, her Venus is a brassy broad in a sparkly caftan, leaving dignity far behind in her quest to seduce the young, sporty Adonis. It seems that the hardheaded fellow, for all his sex appeal, is cool as a cucumber, completely focused on perfecting his hunting skills and essentially immune to the goddess’ attractions. Bouvion’s Venus tries every tactic to arouse the youth’s passions—charm, titillation, pleading, threatening—but the most she can force out of him is a reluctant kiss that leaves her gasping and him unmoved.

Bouvion’s approach is broadly comedic for the first two-thirds of the performance, then takes a turn for the dramatic when poor Adonis embarks on the boar hunt from which he will never return. Her command of Shakespeare’s language is flawless, though her choice to play against the text by portraying Venus as a frustrated sexpot rather than a celestial being makes its tragic conclusion somewhat less effective. However, it’s always a treat to hear Shakespeare’s words on stage, even those he never intended to be heard there.

(Venus and Adonis plays at VENUE #14: The White Box at 440 Studios, 440 Lafayette Street, 3rd Floor, through August 29, 2015. Performances are Sun 8/16 at 2:30; Thu 8/20 at 5:15; Sun 8/23 at 9; Wed 8/26 at 9; and Sat 8/29 at 9:30. There is no late seating at FringeNYC. Tickets are $18 and are available at