Review

You Never Can Tell

By George Bernard Shaw; Directed by Robert Verlaque

Off Off Broadway, Play Revival
Runs through 6.19.11
Gloria Maddox Theatre, 151 West 26th Street

by Alan J. Miller on 5.25.11


Jessica Osborne as Gloria and Lowell Byers as Valentine in You Never Can Tell. Photo by Daniel Terna.

BOTTOM LINE: A charming, delightful and first-rate revival of Shaw's seaside comedy, appropriate for the entire family.

You Never Can Tell is one of George Bernard Shaw’s lesser known works, relatively infrequently performed in the United States, which is why we owe a special debt of thanks to the exceptionally talented cast now bringing it to life at the Gloria Maddox Theatre at T. Schreiber Studio and Theatre. Originally born out of a bet in 1897 that Shaw could not write a seaside comedy (a popular theatrical genre in England at that time), the play succeeds in offering both a comedic and insightful look at the institutions of marriage and the family, the “war between the sexes,” the “modern woman” of that time, class stratification -– indeed, all of the issues that Shaw focused so much of his attention on throughout his extraordinary literary career.

Mrs. Clandon (Lucy Avery Brooke), a celebrated writer and independent New Woman, returns to seaside England with her three children -- Gloria (Jessica Osborne), Phil (Seth James) and Dolly (Noelle P. Wilson) -- after having spent 18 years in Madeira raising her family alone. Here they meet Valentine (Lowell Byers), a dashing but impecunious dentist and his curmudgeonly landlord, Mr. Crampton (Laurence Cantor). Valentine and Gloria are instantly smitten with one another (although it is not a new experience for either of them). The three children know nothing of their father, about whom their mother has never spoken, but they quickly discover that without some understanding of their paternal lineage they will never be accepted in polite society.  As Valentine puts it to them, in initially rejecting their invitation to lunch: “We don’t bother much about dress and manners in England, because, as a nation we don’t dress well and we have no manners. But…in a seaside resort, there’s one thing you must have before anybody can afford to be seen going about with you; and that’s a father, alive or dead. Am I to infer that you have omitted that indispensable part of your social equipment?  Then I’m sorry to say that if you are going to stay here for any length of time, it will be impossible for me to accept your kind invitation to lunch.” 

Of course, Valentine ultimately relents, joining the Clandons for lunch and bringing Mr. Crampton along with him (and, surprise, surprise, guess who he turns out to be?). It all gets sorted out in the end, with the able assistance of Walter (Peter Judd), the charming and wise waiter who cares lovingly for the Clandons; Mr. Bohun (Edwin Sean Patterson), Walter’s son, who, despite England’s strict class distinctions, has risen to the level of Queen’s Counsel; and Mr. McComas (Randy Miles), Mrs. Clandon’s friend and solicitor.

While the plot of the play isn’t much, Shaw uses it to full advantage in exercising his acerbic wit and that alone would make seeing this play worthwhile. In addition, however, the cast of this production is terrific across the board, providing the audience with a most delightful afternoon or evening’s entertainment. This is an off off Broadway production, which often requires some cutting of corners due to financial constraints, but that clearly wasn’t the case here. In fact, if you don’t count the number of seats in the audience, you’ll be convinced that you’re attending a major off Broadway production. The sets and costumes are lush, worthy of a full blown commercial production, and the acting and directing are as good as it gets.

(You Never Can Tell plays at Gloria Maddox Theatre at T. Schreiber Studio & Theatre, 151 West 26th Street, 7th Floor, between Sixth and Seventh Avenues, through June 19, 2011. Performances are Thursdays through Saturdays at 8PM and Sundays at 3PM. Tickets are $20 and are available at www.TSchreiber.org or by calling 212.352.3101.)

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Bob
Posted 354 days ago
I went to see this play and was entirely underwhelmed. Yes, the set and costumes are delightful but the characters take quite a while to get going and are played in a very one-dimensional way. Valentine plays it as an honest man in Act 1, yet is down on his luck and is only trying to be a 5 shilling dentist until something better comes along. I feel he should be played in a more charming, conniving and convincing way. He tries to do so later in the play but the two opposites don't add up. He could do so much more early on. The mother is just always angry, c'est tout. Gloria, the daughter gives many an over-exaggerated look and plays it one way the whole way through. The actors don't appear to "feel." Mr. Clampton is first-rate as are the comic duo,; while they don't have perfect accents, it doesn't matter. Their acting is spot on! I feel Gloria tried to swallow the RP English tapes too literally as in her forced accent takes away from her acting. I love Schreiber Studio, but prefer a Schreiber production. This play had too much style and no substance in key scenes when acting is called into play. And we won't mention the lawyer ... was he actually acting?!
 


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