BOTTOM LINE: María Irene Fornés wrote this distinctive, rarely staged play about intelligent women spending a weekend together in 1935. It should disturb you in 2019.
All hail Theatre for a New Audience. Lileana Blain-Cruz directs a stellar, multi-racial, all-female cast in the first major revival in forty years of Fefu and Her Friends, María Irene Fornés’ quietly revolutionary avant-garde play...There are laughs, and love affairs, and a water fight, and a hunting gun, and much discourse on art. It feels like a Goethe tale that passes the Bechdel test...
BOTTOM LINE: A hilarious musical send-up of Richard Curtis’ beloved 2003 movie.
BOTTOM LINE: A confusing concept blocks this well-acted Macbeth from being fully bewitching.
BOTTOM LINE: This revival is a contemplative, funny, and understated exploration of grief, ageism and white privilege in 1950s Texas.
BOTTOM LINE: Inspired by real events, Dixon Place presents a thought-provoking, funny and moving new musical about boyhood love at Eton College amid a panicked society’s views on homosexuality.
BOTTOM LINE: This site-specific, post-apocalyptic play is a secret gathering at a bar in an attempt to figure out where humanity went wrong.
BOTTOM LINE: A delightful musical frolic through the mind of Albert Einstein.
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