No Sympathy for the Wolf

By Scott Mebus; Directed by Maridee Slater
Produced by Tarnish Productions
Part of the 2018 New York International Fringe Festival

Off Off Broadway, Musical
Runs through 10.24.18
FringeHUB, 685 Washington Street


by Dan Rubins on 10.14.18


No Sympathy for the WolfThe cast of No Sympathy for the Wolf. Photo by Celine Grouard.


BOTTOM LINE: This engaging new musical tackles, with both edge and empathy, what happens when the Boy Who Cried Wolf, the Three Little Pigs, and Little Red and her Granny team up to take vengeance on the Big Bad Wolf himself.

A snarkier, 21st-century Into the Woods, No Sympathy for the Wolf checks back in with the victims of the Bad Big Wolf a few years down the road. A plot to put the Wolf (Chance Brayman) in his place once and for all has just been unfurled, led by an alcoholic Granny (Katie Mack), a depressed little pig (Sammy Ferber), an ostracized, bitter Boy Who Cried Wolf (Brendan George), a thrill-seeking, rapping Duck (Pearl Taylor) (from Peter and the Wolf) and a jaded Little Red (Libby Anderson).

Maridee Slater's minimalist direction makes the most of a venue with limitations, allowing the focus to fall on Scott Mebus’ heavily amplified score, and that’s, as the Wolf might say, all the better to hear it with. Many of Mebus’s songs features appealing, catchy pop-rock hooks, played here by a grooving, five-piece band, and the impressive cast’s stellar vocals make up for some of the less polished lyrics. Mack’s riffing Granny, Mike Kinzer’s swaggering Woodsman, and Lina Marie’s sweet-voiced Mom sound particularly excellent throughout. It’s a clever touch to have the Boy Who Cried Wolf as the narrator, especially as played here by the appealing George, offering a nuanced performance.

While Brayman’s strong vocals and intimidating presence are highlights, the show never fully explores either why the Wolf has been so unpleasant all these years or what, if anything, the Wolf stands for, psychologically speaking, in his victim’s psyches. But when the powerful Anderson sings “That girl who walked in the wood/‘Cause of you, she’s gone for good/But you won’t take another thing from me,” Mebus’ positioning of Little Red as a woman confronting her assailant resonates convincingly.

Even with all the familiar fairy tale re-tellings and mashups—not just Into the Woods but also Shrek, Hoodwinked, and others—Mebus’ vision still manages to carve out its own gently sardonic little niche. Future iterations may tighten the balance between crass, dark humor (mainly in Mebus's often-witty book) and the darker, more complex undercurrents (mainly in the songs), but No Sympathy for the Wolf is already a well-sung and compelling walk in the woods.

(No Sympathy For The Wolf plays at FringeHUB, 685 Washington Street at Charles Street, through October 24, 2018. Meet at the DARK GREEN FringeNYC flag. The running time is 2 hours 30 minutes, with one intermission. Performances are Fri 10/12 at 9:15, Sun 10/14 at 1:15, Mon 10/15 at 7, Sun 10/21 at 3:45, and Wed 10/24 at 9:15. There is no late seating at FringeNYC. Tickets are $22 (plus $3.69 ticketing fee), $16 (plus $3.51) for seniors, and are ONLY available online at For more information visit

No Sympathy For The Wolf is by Scott Mebus. Directed by Maridee Slater. Lighting Design by Niklas Anderson. Music Direction by Ethan Wagner. Stage Manager is Lindsay Warnick.

The cast is Brendan George, Libby Anderson, Katie Mack, Chance Brayman, Pearl Taylor, Sammy Ferber, Mike Kinzer, Emery Schaffer, Lina Marie, Abigail Esfira Cambell, Najee Gabay, and Jommy Gentiles.