Review

My Big Gay Italian Wedding

By Anthony J. Wilkinson; Directed by Teresa A. Cicala


Anthony J. Wilkinson as Anthony and Reichen Lehmkuhl as Andrew in My Big Gay Italian Wedding

BOTTOM LINE: A silly, campy, gay play but not very smart or funny.

I went into My Big Gay Italian Wedding with high hopes. Considering that it already had an off-Broadway run back in 2003, I figured that it must be an entertaining show for it to come back so soon. Instead, I saw a show that was filled with every stereotype imaginable and very few laughs. The premise is that Anthony (Anthony Wilkinson) wants to marry his boyfriend Andrew (Reichen Lehmkuhl) but has to get the approval of his traditional Catholic family and also try to please all of his friends in the process. Throw in one jealous ex-boyfriend and hilarity ensues. Supposedly.

Maybe I was just expecting too much because there were plenty of people around me who seemed to be having a great time. They laughed and clapped along with the music and even "awwwd" a few times. I just couldn't get past the contrived plot devices and broad hammy performances. Emotional Italian mother? Check. Tough guy father who has one scene where he shows what a softie he is? Check. Drag queen? Check. With mentions of Sarah Palin, Barack Obama, Tiger Woods and Facebook, the show has the lowest common denominator of humor in order to gain the most appeal. However, by doing this it's distanced itself from people who need more than topical references to laugh. It's funny in the same way that the film The Birdcage was funny. Most heterosexuals thought it was hilarious while most gay people thought it was alright but silly. My Big Gay Italian Wedding is for audiences who think 'gay people are funny.' When the song "Goin' to the Chapel" came on, it got a laugh.  Because two men were going to the chapel. Get it? Gay people are funny.

Some of the performers do the best they can with the show. Brett Douglas plays a wedding planner and Adam Zelasko plays Anthony's best friend. Both actors find a way to play their roles without falling into cookie cutter versions of what could have been. Douglass is witty and smarmy and is one of the few who connects with the audience during the audience participation. Zelasko is just plain funny although his part is not the biggest. I think his role just seems bigger because he makes the most of every line and moment. Wilkinson (who also wrote the show) is always likable and energetic. His was the only character that I believed could be a real person. Lehmkuhl is obviously the draw here. He won the reality show The Amazing Race a few years ago and has parlayed that success into quasi-fame. He may be the one who is attracting ticket buyers, but he seems like he's on stage for the first time in his life here. Stiff and awkward, he fidgets and has a deer in the headlights gaze about him. He does have one scene in his underwear, so if that's what you want, go for it.  Yes, he looks good. Yes, he poses way too much.

I'm really not sure who this show is for. I can see it having a Tony and Tina's Wedding kind of success in the same way that people go to see it because it's just so darn wacky. For me personally, I need more than Jersey Shore and Real Housewives references. Funny, tacky costumes and big hair does not cover up the fact that the show has very little content and very little to say.


(My Big Gay Italian Wedding plays at St. Luke’s Theater, 308 West 46th Street between 8th and 9th Avenues, through July 18, 2010. Performances are Wednesdays through Saturdays at 8pm. Tickets are $29.50-$69.50 and are available at telecharge.com. Visit biggayitalianwedding.com for more info.)

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NN
Posted 337 days ago
I saw this play last night and I too have to agree 100% with the reviewer. I was extremely disappointed the only thing and I mean only thing that helped was the free givaway package from Tabith of Bravo. I have seen better performances and better writing at our middle school performances and this is truely not fit for off broadway. I also agree that it was far too long, annoying and boarder line painful at times. Sorry I wasted a good Friday night to see this.
B Wills
Posted 481 days ago
I know Darron very well, so well in fact that I CAN spell his name correctly. And I can state unequivocally that he's one of the nicest - and sanest - people I've ever met. Sorry, Big Easy...or should I say LIttle Hard?
AA
Posted 599 days ago
I saw this play a few weeks ago and I agree with the reviewer. I like absurd, over the top comedies but with the exception of a few strong performances the play fell extremely flat. The night I attended it, half the audience was into it, the other half wasn't and several people left at intermission. The play (I use that word loosely) is poorly directed and should be trimmed by 40 minutes. The stereotypes are annoying; the first half is boring exposition that could have been done in ten minutes. And as my friend said about the set, it looked like something he would have built in high school, not something you would see at an Off Broadway play. The play is a hot mess and not in a good way.
Molly Marinik
Posted 615 days ago
Thanks for catching that, C.J. We have corrected the spelling and apologize for the error.
C. J. Thom
Posted 615 days ago
Darron - There's only one "s" in Douglas. Brett Douglas. I figure you could at least get their names right.
Darron
Posted 616 days ago
I stand behind this review. Other reviews of this show were very similar to the one I wrote. If there were so many great things about it, then I am sure the show's website would have posted them on their reviews page, but they didn't. Big Easy, you do not know me. You misspelled my name. Anyone who actually knows me knows that I am not bitter and I do not have a huge amount of social and personal problems. I will however acquiesce to the "queen" part. Thanks for your insight.
BigEasy
Posted 616 days ago
Take this review with a grain of salt. It was written by Darron Cardoza, a bitter queen with more social and personal problems than an entire mental institution. I know him VERY well. I saw the same play and found it to be brilliant. It's the kind of fun that makes the mentally ill and anti-social person like Darron really jealous and even more bitter. The writing is funny, quick, and clever. The singing numbers by Tricia Burns and Reichen Lehmkuhl bring happy tears to your eyes. Reichen's character is stiffer than the others in the play but Reichen is surprisingly fantastic.
 


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